![]() Raquel Inacio fan account July 16, 2019 Gonna start posting my nudes to my close friends list on Instagram because what else am I suppose to do with them Shocking that Instagram hasn't renamed the "Close Friends" functionality to "This gay user wants to have sex with you" Friends in real life means friends on social media.”įor others, though, Close Friends means something a little more… intimate. “I’d be pissed if I found out someone I considered a close friend didn’t add me to their Close Friends list. That way everyone thinks they’re a close friend,” he says. Petersburg, Florida, handles his list similarly. “Some of my teachers were kinda cool, but not, like, cool where I’d add them to my Close Friends list.” “I put everyone I follow on my Close Friends list - except parents and teachers,” says Bobby, an incoming freshman at the University of Texas. eden "tasteful yet erotic" rohatensky July 19, 2019 Instagram’s close friends and snapchat private stories aren’t actually for the close ones, they’re for the non-judgemental onesĪny time I drink I have to check the next morning that I didn’t just add everyone I’ve ever met in person to my close friends list on Instagram Because of that, some of us may define “Close Friends” quite liberally. Over the past few years, Instagram has taken Facebook’s place as the digital Rolodex of everyone we’ve ever met, strangers we’d like to stalk and friends of friends we’ve never actually met. ![]() Unlike your regular story, which is visible to anyone, it’s up to you who makes the Close Friends cut. ![]() The Close Friends feature functions however you’d like it to. It’s for the people in your life who you know won’t judge you or consider any social media content in your next performance review. Instagram’s new feature, a Story feed for a select few only, is the perfect repository for the photos worthy of sharing but not polished (or appropriate) enough for the grid. The Close Friends Instagram Story welcomes your worst. Unexpected texts from exes? Gross late-night food? Peace-sign hands and duck-lipped selfies with mascara strewn down our cheeks from crying? Ironic Minion memes? Footage of your best friend passed out on the bathroom floor? Perfect.
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![]() Track & manage all post related costs, keeping stakeholders apprised of status.Collaborate with internal/external teams to lock budget.Review creative/scripts & begin defining post budget.Work to prepare and vet show budgets and schedules, providing feedback internally and externally on viability and risks.Work with Studio Technologies, Post & external production team on defining post technical workflows such as HDR color pipeline, editorial setup, sound design, collaboration with both Music & VFX teams, IMFmaster delivery, and final archive.The specific responsibilities are included, but not limited to what is listed below. ![]() The role will focus on supporting Japanese-Language Live Action content that is created and finished in Japan. This is a demanding and fast moving position that requires someone who is a positive thinker and able to exercise good judgment. S/He will be thorough and able to juggle multiple and diverse responsibilities with a strong emphasis on organization and an unwavering attention to detail at all times. The successful candidate will be self-motivated, proactive, quick-thinking, flexible and able to pivot when necessary. ![]() This person will actively reach out to both external partners and internal cross functional teams to manage the titles to get them launched as planned while maintaining vendors and editorial crew relations, creating budgets, managing schedules, and troubleshooting technical and workflow issues. We are seeking an experienced Post Production Manager based in Japan to help manage our Japanese original and licensed contents. ![]() Some important WiiU platform improvements. There is also now an iOS 16 lockscreen widget. iOS 13+ port now has a toolbar which lets you pull up an onscreen keyboardįor instance, it adds support for revealing the onscreen keyboard and enabling touch screen mouse input by adding a toolbar that is revealed by tapping the top of the screen. It leverages Swift and it has some unique features. The iOS ARM64 port is completely revamped and targets iOS 13 and later now. To do this, go to Settings -> Input -> Haptic Feedback/Vibration, and enable ‘Vibrate On Key Press’. It’s not enabled by default for now so you will have to enable it manually. It’s currently only implemented for Android, but it can potentially be implemented for other systems with haptic feedback later. Now the device’s standard keypress feedback is triggered on overlay key/button state changes, except when a finger leaves the screen. This repurposes the setting ‘Vibrate On Key Press’, which previously enabled a 16ms vibration on any screen touch. Android – Haptic feedback for touch overlaysĬourtesy of neil4 who implemented this great feature NOTE: You can currently not rename views from within the application. In XMB it will show up next to your playlists. In Ozone, you can select it from the left popup toolbar. It will now add this ‘view’ to the playlist list. Search through the list of games sorting through it however you want, then once you’re satisfied with the output, select ‘Save As View’.It’s a pretty powerful system, and we hope this gives you a lot of flexibility to better organize your content. ![]() These are just some examples of what is possible with this new system. ![]() Games containing “Mario” in the title released between 19.Games made between 19 by developers Capcom and Capcom Production Studio 1.Here’s some examples of views that are now possible with the new range filtering: You can combine several filters in whichever order you see fit and then save the results as a view lpl (libretro playlist) files are in JSON format and are stored in the same playlists directory. lvw (libretro view) files that just like playlist. This also adds the ability to filter a category by range in the Explore menu and not just filter on exact matches. You can turn a filter set in the Explore menu into a so called “View” file which then gets listed alongside playlists. There is now an entirely new way to display and organize content – Views! This view lists all games in your collection released in the year 2000. In addition to being able to support us on Patreon, there is now also the option to sponsor us on Github Sponsors! You can also help us out by buying some of our merch on our Teespring store! Views If you’d like to show your support, consider donating to us. We have always prioritized the endusers experience, and unlike others, we have never emburdened them with in-app ads, monetization SDKs or paywalled features, and we intend to continue to do so. This project exists because of your support and belief in us to keep going doing great things. Remember that this project exists for the benefit of our users, and that we wouldn’t keep doing this were it not for spreading the love to our users. Also, have the specific cores selected for each system in the system specific Retroarch configuration within RocketLauncherUI.If you’d like to learn more about upcoming releases, please consult our roadmap here. I can't figure it, but it is so close to working. This goes for the settings in RocketLauncherUI and Retroarch. Off it loads a window with an overflow of gibberish (likely from the bad core config). I have turned on settings per core and turned them off. This can be repeated for other systems, so it seems it is dependent on the most recently loaded system. Go to load Goldeneye64 and get a black screen.Go back to Hyperspin, load Lion King (Sega) and all is well.Back out of Hyperspin, open Retroarch, detect core load Sonic (Sega) - it loads fine.Now if I go to load Sonic (Sega) the screen goes black.I then go into Hyperspin and load Goldeneye64 (N64) - no problem.I load Super Mario 64 (N64) from Retroarch using detect core - it loads perfectly.However, from Hyperspin, only the most recently emulator loaded directly from Retroarch will successfully load, all others go to a black screen. I have Retroarch, and from the RocketLauncherUI I am able to successfully load all of the emulators I want to. I know this is specific, but it seems some other articles/posts run into a somewhat similar issue. ![]() The album initially received mixed reviews from critics. The album was re-released as a CD/DVD package on September 18, 2007. The songs " Angry Chair", "Frogs", and "The Killer Is Me" were cut from the original MTV broadcast but are included on both the CD and home video releases. A full length DVD of the concert was also later released on October 26, 1999. ![]() The album has received platinum certification by the RIAA and the home video release has received gold certification by the RIAA. Release and reception Professional ratings Review scoresĪ live album of the performance was released in July 1996, which debuted at number three on the Billboard 200, and was accompanied by a home video release. Ĭantrell said that one of his favorite things from the concert was when Staley said at the end of the show, "I wish I could hug you all, but I'm not gonna". Accordingly, the taping took approximately three hours to finish. Moreover, a few songs such as " Got Me Wrong" and "Sludge Factory" had to be replayed numerous times due to error. Ĭantrell has stated that the band was considering playing the songs "Love, Hate, Love" and " We Die Young" for the set, but ultimately chose not to, chiefly as a result of limited time. Staley responded to the heckler by shouting, "Hey, fuck you, man!" which was greeted by laughter from the audience. On the CD version of the MTV Unplugged concert, as Staley says "Okay, that's it," at the end of the song, booing can be heard (presumably due to the performance concluding). This was omitted from the CD but can be found on the VHS and DVD. Before "Angry Chair," Jerry Cantrell paid further tribute by playing the intro to "Battery" going into the Hee Haw song, "Gloom, Despair, and Agony on Me". Inez and drummer Sean Kinney did pay tribute to Metallica, however, playing the intro to their hit song " Enter Sandman" just before "Sludge Factory". Mike Inez's bass had the phrase "Friends Don't Let Friends Get Friends Haircuts." written on it, directed at the members of Metallica who were in the audience and had recently cut their hair short. Jerry Cantrell has attested to being fairly ill during the performance as a result of food poisoning from a hot dog consumed before the gig. The show marked Alice in Chains' first appearance as a five-piece band, adding second guitarist Scott Olson. The performance was one of Alice in Chains' final appearances with vocalist Layne Staley and featured some of the band's highest charting singles, including " Rooster", " Down in a Hole", " Heaven Beside You", and " Would?", and introduced a new song, "The Killer Is Me". It was Layne Staley's idea to have big candles decorating the stage to keep it dark and moody, as the band never liked bright lights on stage, so Staley himself bought the candles at Seattle's Pike Place Market. The show was recorded at the Brooklyn Academy of Music's Majestic Theatre and first aired on MTV on May 28, 1996. The band was offered to do the segment numerous times prior to the actual taping before finally accepting. On April 10, 1996, Alice in Chains resurfaced to perform their first concert in two and a half years for MTV Unplugged, a program featuring all-acoustic set lists. The home video release has received gold certification by RIAA. The performance was released on DVD on October 26, 1999, and re-released as a CD/DVD package featuring unaired footage on September 18, 2007. 3 on the Billboard 200 chart, and has been certified platinum by the RIAA. The acoustic version of " Over Now" (originally released on Alice in Chains' 1995 self-titled album) was released as a single. A new song, "The Killer Is Me", was performed for the first time during the concert. The MTV Unplugged was Alice in Chains' first concert in two and a half years, and contains live, acoustic versions of the band's biggest hits and lesser-known songs. The show was directed by Joe Perota and first aired on MTV on May 28, 1996. It was recorded on April 10, 1996, at the Brooklyn Academy of Music's Majestic Theatre for the television series MTV Unplugged. Unplugged is a live album and DVD by the American rock band Alice in Chains, released on July 30, 1996, by Columbia Records. Schubert’s first piano teacher was his brother Ignaz, but Schubert’s prowess soon exceeded his brother’s, and at seven, Schubert auditioned before the notable Antonio Salieri, celebrated music director of the court. His harmonic inspirations would influence ragtime originator, Scott Joplin the popular rock group from Liverpool, the unbelievable Beatles and the highly successful British composer of musical theater, Andrew Lloyd Weber. He became hooked on such literary works as “The Last of the Mohicans” and “The Spy,” novels written by American author James Fennimore Cooper. When Schubert turned six, he became his father’s pupil and instantly recognized as a high achiever, not just in music but also in academic aptitude. Viennese-born Franz Schubert (1797-1828), was the son of a devout Catholic schoolteacher, Franz Theodor Schubert. He was happiest when he was writing music. Before he died a tragic death at age 31, he had completed over 950 works, of which more than 600 were songs inspired by texts from Goethe, Shakespeare and numerous other poets. Some say he composed more than 65 bars of music each day. Source: The Oxford Companion to Music by Percy A.Every morning at 6:00 a.m., he commenced writing music, and he continued until 1:00 p.m. His elder brother, Ferdinand, a schoolmaster-musician like the rest of the family, and a minor composer, was one of his most devoted supporters, and deserves recognition as such.Īmerican Ballet Theatre’s previous Schubert ballets are: George Balanchine’s staging of his L’Errante, as The Wanderer, which used Schubert and Liszt, and Schubertiade, Michael Smuin’s ballet made especially for ABT in 1971. Like Beethoven, Schubert was never married. He left worldly property of the tiniest value and a huge mass of lovely music - more, perhaps, than the world will ever have time to know. Schubert carried a torch at the high ceremonial of Beethoven’s funeral and the next year was buried beside him. They were members of a different “set” from the more aristocratic music lovers who in the same city and at the same period surrounded and supported Beethoven, and then the elder and younger musicians met only as they former lay on his death-bed, when, as is recorded, he was moved to an expression of generous admiration and confident prophecy. Some of his friends were afterwards famous as painters or poets others belonged to the cultured bourgeois class. On finishing his course here for a time he became an assistant in his father’s school, but his whole being was absorbed in music and soon he abandoned everything for it, living sparely and then only subsisting by the help of generous comrades who believed in him. At eleven he was admitted to the choir school of the Royal Chapel and here he received a good general and musical education, with insufficient food and little comfort. But he had the advantage of being a member of an intensely musical family, whose string quartet playing was renowned in their suburb. He was the son of a schoolmaster with a small income, and his early life was not luxurious. His gift for pure and lovely melody is one of his greatest charms and in this he stands worthily beside Mozart. He composed with infinitely more ease and fluency than Beethoven and the list of his works seems very long when one considers the brevity of his lifetime some of them show a weakness of form or content, due to a rapidity and a facility that were so great that on occasion he was known to fail to recognize his own work when it was put before him. This form of art owes more to him than to any other one composer in history. Like Beethoven, too, he wrote symphonies, sonatas, and string quartets, but, unlike him, he developed a special talent for that type of solo song which, while tuneful and musically delightful, yet seizes characteristically the meaning and flavor of the poem and expresses these aptly. He was a contemporary of Beethoven in Vienna, and like his master, who was twenty-seven years older, he represents the classical school of Haydn and Mozart carried forward into the opening of the “Romantic Period.” Franz Peter Schubert was born in Vienna in 1797 and died there in 1828, at the age of 31. For the right person, this internship has the ability to put your career into hyperdrive working for a leading startup and the opportunity to work with an extremely cool team! The internship is on a voluntary basis and unpaid. The internship is full-time for 3 months and will be based at our office in London. * A strong understanding of Mixlr, our community and the startup world is desired but not a necessity. * Motivated with the ability to work independently and effectively manage workload. * Extensive knowledge and usage of social networks. * Excellent written and verbal communication skills. * Assist with organising industry, community and company events. * Assist with weekly, monthly and quarterly business and marketing analytics. * Propose and write compelling content for our blog. * Identify frequently asked questions within the community and create relevant support articles, tutorials and videos. * Assist with community enquiries, queries, questions and feedback. * Assist with social media strategy from developing ideas, to analysing the results. * Monitor our social media channels including Facebook, Twitter and YouTube. If you’re passionate, adaptable to a fast-paced environment and want to gain loads of experience, then this internship could be for you. ![]() We’re looking for an intern to join our Marketing team. Mixlr is a rapidly growing music-tech startup based in London. We’ve received great feedback and suggestions, as always the team are keen to hear your thoughts so please keep them coming by emailing us We’ve also introduced a cool new hearting feature, click the heart icon during a broadcast and you’ll see the screen transform into a giant heart…sweet huh!Īlongside the changes mentioned, we’ve been working hard to improve stability and implement bug fixes within the app. Listening is always better with friends, so ask them to join you! 3. You can now share to Facebook with one-tap from any live broadcast. It’s now even easier to tell your Facebook friends when you’re listening to something great on Mixlr. Need to change your username, email or password… all this can now be done form within the app. You can also tell everyone about yourself and what they can expect to hear on your broadcasts by adding information to your ‘about me’ section. You can now customise your profile directly from our iPhone app. Make your profile look super slick by adding profile and stage images. Version 1.2 of our iPhone app is out now, download it on the App Store here. This is another great example of how Mixlr can be used to bring local content to a worldwide audience and we love it! Information on this years speakers can be found here. A full schedule of sessions, channels and languages can be found below: Session The event takes place toady on (13th April from 10:00 PDT). The translators will interpret the talks from the booth into one of the following languages: Spanish, German, French, Chinese, Korean or Japanese. There will be 4 translation booths, each with their own translator and Mixlr channel. TEDx Monterey understand the importance of sharing knowledge to as wide an audience as possible and because of the global relevance of the talks they are using Mixlr to broadcast their “Leading Out” event LIVE in 6 different languages today. TEDx are independently organised TED events, which encourage people to spread innovative ideas, share knowledge and inspire. ![]() In several other experiments a creative print design approach was used to finish different non-woven recycled polyester textiles and then encapsulate them in the new recyclable resin. Customisable laser etching adds to the surface decoration, removing the need for additional treatments. In one example recycled PET pellets from old fleece dressing gowns have been injection moulded to produce a central console panel for a car interior. Trash-2-Cash scientists and designers explored a variety of material innovations using T2C recycled polymers and fibres, laser etching, an innovative recyclable epoxy resin and textile print design. T2C represents a movement towards different ways of working, making, connecting and consuming which means there actually isn’t an end at all but a very bright, circular future. This is the end of T2C as an EU H2020 project but it’s just the beginning - the basecamp if you like: for demonstrating how these technologies can really challenge conventional modes of production for exploring how design-science collaborations can drive circular innovation for continuing cross-industry partnerships for changing the way we all think about our own work and that of others. To complete the wealth of project resources you can also now find a final set of slides to represent the work we’ve completed and a final results brochure. We also recently completed the final T2C podcast for the Ellen MacArthur Foundation’s Disruptive Innovation Festival (DIF) 2018, which revisits key moments in some of the podcasts we’ve recorded over 3.5 years, as well as including a new reflective conversation about the impact of the Final Showcase and the reception it received among visitors. The circularity and Life Cycle Thinking represent the other body of knowledge related to the DDMI process in T2C, included in the third part the main findings. These are mapped to the general T2C process scheme. The conclusive third part of the report presents the final recommendations: the DDMI Recommendations Map comprising 32 core recommendations derived from the research as a whole, relating to four themes: Project, Knowledge & Information, People & Roles and Tools. The relevance of the workshops is such that most of this white paper is dedicated to the description of what happened during these meetings, how they have been designed, and what tools have been used. Twelve interdisciplinary workshops have been a key asset to set up and develop the interdisciplinary dialogue and knowledge-sharing among the different competencies involved in T2C project they have been crucial for the development and implementation of the applied DDMI methodology. A final process scheme completes this part, representing a generalisation and conceptualisation of what occurred during the whole DDMI process. The first part of this paper introduces the T2C project and the DDMI methodology, both in relation with the project and as a general concept. A summary of these recommendations is presented in this paper. The whole process has been observed, monitored and studied in order to elicit some final recommendations for future Design-Driven Material Innovation (DDMI) initiatives. The main aim of the applied methodology was to integrate design inputs - fed by life cycle, consumer behaviour and manufacturing expertise - into materials R&D in order to contribute towards closing a specific innovation cycle.Ī group of facilitators and design researchers (the “Methodology Team”) supported the development of the interdisciplinary process, and the contents of this report represent the perspective of the facilitators. It focuses on how the interdisciplinary and knowledge-sharing approach was mediated by design, involving the implementation of an experimental and exploratory applied methodology. The paper describes how the Trash-2-Cash (T2C) project was formulated and developed using a design-driven process, to achieve material innovation in a specific context taking into account specific processing technologies, disciplines and competencies. ![]() It maps and highlights the new knowledge that was created through these methods, enabling others to understand how and when to best use each aspect of this broad toolbox. It offers a unique and in-depth summary of the methods developed for this Design-Driven Material Innovation project. The White Paper is now available to download from the publications page. Rather than redesign the aging Dodge RAM Van which had used the same basic body and layout since the 1970s and was discontinued in 2003, DaimlerChrysler chose to replace it with the Sprinter. ![]() Both vans spawned from the Dodge Sprinter which was built in North America from 2003-2009. About Sprinter VansĪlthough most “Euro” style vans are competitors to each other now, they were once one in the same. Our staff is eager to help you find the right van to suite your lifestyle. Active in buying and selling conversion vans, we regularly have a variety of Sprinter’s. ![]() Paul Sherry Conversion Vans, located in Piqua, Ohio does offer a premium selection of sprinter conversion vans for sale. Rear wheel drive also forces Sprinter designers to raise the floor in order to make room for the drive shaft to connect to the rear axle.įor more information about Sprinter van details, please contact us at 86 or visit us at 8793 N County Road 25A, Piqua Ohio, 45356. But when the van has enough power, in most recreational circumstances front wheel drive is sufficient and often preferred in winter conditions. It is often believed that rear wheel drive vehicles can tow more when loaded properly. This does offer some benefits in a few circumstances. Sprinter vans vans for sale are commonly found with rear wheel drive. With as many features making the Sprinter unique, it has in similarities to the RAM ProMaster. But in today’s market, the Sprinter has more competition than ever. Throughout the years, the Sprinter van has served and provided many passengers the transportation they’ve always looked for. Additional vans entering the market with similar benefits van will give current Sprinter conversion vans for sale competition within the segment. In addition, the shorter bars before and after the Decision Bar are spaced either 100' or 200' apart depending on the ALS type. If the procedure calls for at least 1/2 statute mile flight visibility (roughly 2600'), spotting the Decision Bar at the marker would indicate enough flight visibility to continue the procedure. For example, if the aircraft is at the Middle Marker, and the Middle Marker is located 3600' from the threshold, the Decision Bar is 2600' ahead. ![]() It also is situated such that at Decision Altitude, the Decision Bar is just appearing to pass under the cowling of the plane.Īpproach Light Systems are designed to allow the pilot to quickly and positively identify visibility distances in Instrument meteorological conditions. The Decision Bar is always located 1000' from the threshold, and it serves as a visible horizon to ease the transition from instrument flight to visual flight. In both cases, the brightness of the lights can be adjusted for day and night operations.Ī key ingredient of all Approach Lighting Systems in the US is the Decision Bar. At uncontrolled airports, Pilot Controlled Lighting may be installed which can be switched on by the pilot via radio. The runway lighting is controlled by the air traffic control tower. ![]() ALS usually serves a runway that has an instrument approach procedure (IAP) associated with it and allows the pilot to visually identify the runway environment once he or she has arrived at a prescribed point on an approach. An approach lighting system, or ALS, is a lighting system installed on the approach end of an airport runway and consists of a series of lightbars, strobe lights, or a combination of the two that extends outward from the runway end. |